剧情简介： 某些事件本身是被遗忘的，被摒除于版权之外，更是某个地域里人的共同创作和耳目相传。这些无多大价值却存附于地景、时空的事件该有保留下来的意义。试问当发生事件的地景逐渐蜕变时，事件本身是否行将消亡？作为个体，我或许可以纪录下些什么。 Some occurrences themselves are forgotten and being got rid of any copyrights. What’s more these occurrences were created and shared by people in a certain place. Although these oc剧情简介： 某些事件本身是被遗忘的，被摒除于版权之外，更是某个地域里人的共同创作和耳目相传。这些无多大价值却存附于地景、时空的事件该有保留下来的意义。试问当发生事件的地景逐渐蜕变时，事件本身是否行将消亡？作为个体，我或许可以纪录下些什么。 Some occurrences themselves are forgotten and being got rid of any copyrights. What’s more these occurrences were created and shared by people in a certain place. Although these occurrences are worthless, they are still meaningful for reservation. When the places that something occurred have changed gradually, will occurrences themselves die out soon? As an individual, I may record something. 导演阐述： 10年前迷上电影的时候，我构思了《拐人》的雏形无人?未知。直至2015年，《拐人》得以面世。时隔3年再创作《拐人2：公有领域》。我希望为《拐人》补遗之余，进一步深入探讨私人与公共、创作与共享、事件与地景之间的关系。这也是我对地缘的一种映像层面的实验和存档。 When I became interested in movie 10 years ago, I thought up the idea of Unmanned / Unknown—the prototype of Abduction. Until 2015, Abduction has been created. After 3 years, I am eager to create Abduction 2: Public Domain. During the creation, I want to make an addendum for Abduction. At the same time, I want to explore deeper the relationships between privacy/public, creation/sharing and occurrences/landscapes. Also that’s a visual experiment and archive of my research about GEO.详情
